In the small town of her youth, Coldwater, Michigan, Kellor wrote a gossip column under the name “Alice Kellar.” Mysteriously, upon arriving at Cornell University’s law program, she changed her last name's spelling from “Kellar to Kellor” and swapped out her feminine first name for her middle name, “Frances.” So while she used the female spelling, she consciously chose her sexually ambiguous first name.
A banker's daughter in Coldwater disliked Alice because she and talked like a boy. In all images of Kellor she has some level of male attire; in the majority she simply dressed as a man. Despite her shortness, Kellor had her arm around her girlfriend’s shoulders in a photo in which they both greeted Eleanor Roosevelt. The visual record is clear that Kellor took the male role in her life and same-sex marriage of 49 years.
When others denounced women’s basketball because it would make girls too masculine, Kellor championed it for the very same gendered reason. Kellor publically identified her considerable political career as masculine, and railed against the gender-based cloistering of women into feminine concerns. In a very real way, Kellor’s transgender identity suffused all of her work.
As no private letters show her self-identifying with the pronoun “he,” I referred to Kellor as “her” throughout Founding Mother. However, the book forefronts the looming importance of masculine gender identity to Frances, (with an ‘e’).
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